Showing posts with label Doctor Who. Show all posts
Showing posts with label Doctor Who. Show all posts

Saturday, September 24, 2011

Various Newses

No, I have no idea why I added an extra "es" top, and no, I'm not related to Gollum, and no, I haven't been reading Lord of the Rings.

Questions done?  Good.  No?

No, we haven't left yet for Africa.  I'll post before we do, be sure about that, even if it's a 50-word post. :)  I'll keep you informed.

In the meantime, I still love Kansas and Cheez-Its and Doctor Who.  And writing. 


Kansas! 


I wish these were conveniently and accidentally dropped off at my house. ^_^


Stetsons are cool!

And speaking of writing, all I've been writing of late are geometry proofs (technically, I'm filling in the blanks) and essays.  Blech.  

Hold it, I tell a lie. O_o  I have written five hundred words or so in a modest little story I'm writing in my spare time.  It's a fantasy tale in a world called who-knows-what.  (No, that's not the name.  Call it that and I'll get out my Cheez-It cannon.)

In the meantime, I've been watching Doctor Who and doing a lot of schoolwork.  The series finale of Doctor Who is actually next week. (I am SO. EXCITED. GAH!)

Also, I wish to inform you that the Director at Castles, Quills, and Cameras is having a giveaway!  This most excellent blogger is giving away two books; one of which I can attest to being a great read. :)  Here's the link to the giveaway post.  

And...well, I've run out of things to blog about. O_o  Ask me questions, folks.  Maybe I'll have a Q & A post next time.  It'll at least give me something to blog about. ;)  

See ya later, friends!  Write well, and may your ink stay full!

I'll leave you with one last quote:  "He who laughs last thinks the slowest."

Thursday, August 25, 2011

Guess Who?

I'm back!

(Warning: I WILL ramble.  I'll be a little random.  I'll be incomprehensible at some points.  Hang on.)

And no "Guess Who?" is not Doctor Who. ;)  He's going to be back in...two days.

I had to slide a Who reference in there.  Sorry.  It's an urge that I cannot resist; but don't worry, no more Doctor Who...for the moment.

I'm back, and it's been far too long, blog friends.  I've had no one off which to bounce my latest literary jokes; no one to bother with my writing musings; no one to write to while blasting soundtrack in my ears.  And it's no wonder my mom says I'm deaf...

Anyway, so, what's been happening for all of you bored blog readers?  Doing well, I hope?  Read any good books?

And I find it interesting that my blog followers increased while I was gone.  Do I take that as an insult or a compliment?  Maybe my silence is indeed more interesting than my gab. ;)

But when I saw all of those comments (including Dad's, who has been nagging—reminding—off-screen a well as on-screen), I thought to myself, "....Tomorrow."

Tomorrow turned to the day after, and the day after, and I read a great book (review coming); unfortunately, my blog stayed still.

So here I am, back at last, and I'm not wearing black, either.  (Okay, time to revise THAT one...ouch.  That was terrible.)

Now, as for my life...it's been busy.  Very busy.  A LOT has happened since I last blog.  Not the least of it is that I was kidnapped by my novel—yes, the rumors were true!  It held me up at plotpoint and...wait, have I used that before?  I can never keep track of which jokes and play-on-words I used where...

*ahem*

Also, I'd like to bring to your attention a blogger whom I have followed for some time: Gillian Adams.  I've been haunting her blog for over a year now, and her writing is fantastic, and she has a passion for Christ and His word.  She, having submitted her novel, recently received word that a publisher had accepted her novel/novella for publication!  Young aspiring Christian writers are making a mark out there, readers, so don't lose hope and keep on writing!  Click on the above link to hear more about this fantastic news. :)

Speaking of writing....The War Horn is now fully revised and rewritten in spots; it's certainly my best novel so far, in general writing quality.  On the fifteenth of August, 2011, I submitted it to my first real-deal-with-real-prizes contest, open to those who have used the OYAN curriculum.

A little background on what's happening with the War Horn:

I view the War Horn as an experiment.  It's my first (and I think last; it was agonizing to write) historical novel, though it almost falls under the legend-history category of novels. This is also my first completed novel where I have no explicit Christian messages; few characters mention God (excepting monks and a few scattered phrases), and there was no "redemption" theme to try and share the Christian message in a different manner.  Instead, I embedded the truths and themes of Christ into the characters and the plot: freedom and the self-destroying aspect of bitterness are two recurring themes among many smaller ones.

It'll be fantastic to see how God can use it in ways my other novels cannot be used.  And I really hope it does well in the contest. ;)

So, I'll have more posts to come, but that's about it for now.  I have a few rattling around my head, waiting to be written, and a review is on the way too; so stay tuned, and bother me lots about it!

And watch out for marshmallows; they're rather vicious.

Monday, July 25, 2011

Tip: Dilemma—Morals, Characters, and Problems Meet

One of the greatest tools of a writer in writing meaningful stories is the Dilemma.

It covers morals.  It fuels plot.  It causes problems.  It shows character.

Dilemmas are what happen when something goes wrong—and more than the usual wrong—and in order to fix it, the character must make a difficult choice.

And they're powerful.

But merely telling you about it is not enough.  Let's examine dilemmas from top to bottom, dissecting them to find out what makes them so strong.  And then, we'll use them to our advantage in creating truly meaningful stories.


Dissection

What makes dilemmas powerful?  

It's a hard question.  And in order to write powerful dilemmas, we need to know the answer.

There are hard, factual aspects of a dilemma.  For instance, here are some.

Dilemmas are powerful because they often show character.  You don't tell your reader that a character is heroic.  If you do tell your reader, at any point in your story, that your character is heroic (i.e. "He was a heroic guy"), you must cut it.  Now. 

Your character's character is showed by his or her actions and decisions.  You know a character is heroic when he or she sacrifices himself to save others, or if he or she risks his or her life to make a daring rescue.

Dilemmas take it a step further.  They go from making ordinary decisions—will he rescue the maiden or slink back to his old life?—to difficult ones.  Dilemmas aren't just choices; they're choices between two bad things. Will he die or allow someone else to die?  Will he eat cucumber and parsley cake or rotted watermelon?

If you want to show character, go with a dilemma.  Choices show your character's character, but dilemmas show their true motives and morals.  It's the difference between helping the maiden escape (decision) to dying for her rescue (dilemma; allow the maiden to die or die yourself?).  Helping the maiden escape may have ulterior motives, but dying is the greatest price of them all.  If a character dies for another, then loyalty and love is truly expressed, much more than in a simple rescue.

There seem to be different brands of character dilemmas.  There are normal dilemmas (die or allow her to die), and then there are also temptation dilemmas.

Someone—often the Villain—may offer the character a choice.  It's the choice between something bad or something the character wants—at a price.

A great example of this is in the TV show Doctor Who.  (I've recently discovered it, and I really like it.  But don't worry, no spoilers here.)  In the episode "School Reunion", the main character (the Doctor) is given a choice.  He can join the bad guys and have a chance to regain what he's lost, but at the price of doing something he thinks is morally wrong.  The other alternative is to try and stop them and risk their lives.

Think about it.  The only thing stopping him from accepting that choice is the fact that he would have to stand by and accept something morally wrong.  Not even  doing something wrong, only accepting that it was happening and receiving the reward for this wrongdoing.

And this reveals the character of the Doctor.  He cannot, will not stand aside while wrong is being done.  It's against his nature, his character.  If he sees wrong, he stops it, regardless to the cost.

This is a fantastic element of his character, revealed by a hard dilemma.

So, what else does a dilemma do?

It also moves the plot.

Dilemmas make fascinating reading.  They are simply irresistible.  What will the character choose? is a powerful question that drives the reader to keep reading.  It moves things forward.  And that's something you always want in a novel.

If the dilemma can have an impact on the plot and complicate matters, all the better!  

Dilemmas often create emotion.  Daniel Schwabauer states that the entire purpose of a novel is to create emotion.  Novels make us care for characters, and when a character is presented with a dilemma, it makes some sort of emotion.  If he or she makes the wrong decision, we feel disappointment, betrayal; such scenes can create a variety of emotion.  If he or she makes a right decision, we may feel proud, sorrowed (if the price is too great for the character to bear), etc.

Dilemmas cause your reader to think.  There have been many times where I have wondered, "What would I have done in this character's place?"  Dilemmas make the events of story move out of one world and into reality, impacting a reader's life.

And if the dilemma sets an example, then perhaps the reader will be encouraged by that.

Take these all together.  Dilemmas show character, move the plot, create emotion, and cause you to think.  They're powerhouses of story.  Alone, like this, they can still be powerful and impactful, but there is one thing that draws all of these aspects of dilemmas together.


Express the Moral

Morals.

That's the thing that ties a dilemma together and makes it relevant to the reader.

Characters show morals.  Plot shows morals.  Emotion makes the moral impact you.  And morals are the things that cause you to think in dilemmas.

If I had to tell you one thing in this post, it will be this: use dilemmas to express the morals behind the story.


It's hard to do that without doing what others call "preachy".  I've had attempts that did turn out preachy, but I kept on going.

Because if you can successfully (and without preaching) express the moral of a story through a dilemma, then you have a truly meaningful scene that will impact the reader. If you can do this throughout your novel, then it will be fantastic.

Often, a novel will have some sort of moral.  In The War Horn, my moral is tied up in the symbol of a war horn—freedom and also mercy and justice.  The dilemma my character has at the climax uses this symbol to express the morals behind my story in a (hopefully) non-preachy manner.


To Write A Dilemma

I can't give you step-by-step instructions for writing a dilemma.  The dilemmas must come from you and your imagination.  However, when writing a dilemma, keep these there things in mind.

1) Have your character choose between two bad alternatives in a way that has him or her stay in character.

2) Always make it hard.  The key to a successful dilemma is that the character will pay a price, no matter what the choice.

3) Express a moral.

4) Make it relevant and thought-provoking to the reader.  Something as heartbreaking as choosing which parent will die (i.e. choosing between Mom and Dad) would cause the reader to wonder which choice s/he would choose.

5) Create emotion.

Along the course of your life, what experience have you had (in life, in writing, in books, or otherwise) with dilemmas?  What can we learn from them?  Anything I missed that you'd like to note?  Like this post? Leave me a comment and we'll talk. :)